donderdag 8 november 2012

Expo: Korsch, Milon en Coppens bij Beukenhof-Phoenix Galleries, Kluisbergen






UITNODIGING - INVITATION 
Beukenhof - Phoenix Galleries
Cornelia KORSCH mixed media
Candice MILON Photography
Sebastiaan COPPENS Glass

Vernissage - cocktail op zaterdag 3 november vanaf 19.00u.
Vernissage - cocktail le samedi 3 novembre à partir de 19.00h.

CORNELIA KORSCH
Cornelia Korsch is een gevoelige schilder- grafiste die de abstractie figuratief beleeft.
Zoals bij Nicolas de Staël of bij Poliakov speelt het collage effect een grote rol in haar oeuvre.
Zij zoekt haar inspiratie in het mysterie van de natuur. Groeivormen van planten en micro-macro organismen 
vormen de uitgangspunten voor haar werken.
Haar eclectische visie maakt het voor ons duidelijk dat het wezen der dingen niet enkel noodzakelijk op het 
vlak der visuele zekerheden moet worden gezocht, maar dat er tevens een stootkracht kan ontstaan uit het
 ' innerlijke' van wat het oog kan waarnemen.

CANDICE MILON
Candice Milon bezingt de stilte in een fantastische sfeer.
Begrippen als vergankelijkheid, leven en dood werken bij haar inspirerend.
Met een spel van licht en schaduw , zoals men kan aantreffen in een schilderij van Vermeer of in die van de 
Vlaamse Primitieven, drukt zij in haar fotografisch oeuvre een symbolisme met verfijnd realisme uit.
Haar onderwerpen zijn meditatief en dromerig. Zij laat mensen hun hoofd op een tafel leggen in een bijna lege 
wazige omgeving of toont onderwerpen onder glazen stolpen in een zuivere monochromie met uiterst fijne 
nuances en een dromerige sfeer.
Tussen die zachtheid en kracht ontstaat een oeuvre dat warmte en geborgenheid uitstraalt.
























SEBASTIAAN COPPENS
Sebastiaan Coppens exploreert de wereld van de transparantie.
Met zijn bevoorrechte keuze voor 'glas' als medium creëert hij vormen met symbolische inhoud, esthetische 
objecten en dit met een grondige materiaalkennis.
Eenvoudige zaken zoals een cocon, een pompoen of een peervorm ontroeren hem.
Spirituele experimenten met glasstaven die het licht uit de ruimte opvangen of plantaardige vormen die hij laat
ontluiken tot een rijke schoonheidsbelevenis.
De bezetenheid om vorm en licht te scheppen sublimeert hij in organische vormen om tot innerlijke sensualiteit.

Tentoonstelling open van 3 november tot en met 2 december 2012
Vrijdagen, zaterdagen, zondagen van 14 tot 19 uur en na afspraak.

Exposition ouvert du 3 novembre au 2 decembre 2012
Vendredi, samedi, dimanche de 14 à 19 heures et sur rendez-vous.


Beukenhof - Phoenix Galleries
Ronde van Vlaanderenstraat 9
9690 Kluisbergen
- Kwaremont
www.beukenhof.com - info@beukenhof.com
+32 (0)55 38 83 87 - +32 (0)472 45 46 69

Katrien Van Wambeke, oud-student beeldhouwkunst, nodigt je uit op haar 'expo juwelen 2012’


katrien van wambeke
juweelontwerp



expo

za 10 & zo 11 november
za 17 & zo 18 november
za 24 & zo 25 november
za 1 & zo 2 december
telkens van 14u tot 18u
Lentestraat 7 . 1702 Groot-Bijgaarden
02 466 23 94 . 0476 65 55 06
katrien.van.wambeke@telenet.be
www. katrienvanwambeke.be

KARL MECHNIG "Bewogen beeld" Schilderijen en tekeningen ingeleid door Kurt Van Eeghem. Bericht van Ziggy.


KARL MECHNIG 

                               "BEWOGEN BEELD"
Schilderijen en tekeningen 
Opening: 5 oktober 20 u  inleiding door Kurt Van Eeghem  
Tentoonstelling 5 oktober tot 17 november 2012   
Een tentoonstelling om geenszins te missen!

Karl Mechnig
'Bewogen beeld'
tot 17 november 2012
in Galerie S&H De Buck
Zuidstationstraat 25
9000 GENT

woensdag t.e.m. zaterdag: 15 - 18 uur
en na afspraak


Exhibition REMI TAMBURINI, student beeldhouwkunst, M.M.1 opening Thursday 8th of november

mm2
M.M.1
Rémi Tamburini

09/11>25/11/2012
OPENING
08/11/2012  18:00>21:00


Vr/Ve + Za/Sa 17:00-21:00
+ op afspraak/sur rendez-vous:
0486 344749 




logo_ZSenne_mailing
ZSenne art lab
rue Anneessensstraat 2 - B1000 Brussel/Bruxelles
info@zsenne.be - 02/513.66.01 

vgc logo
 
ZSenne vzw wordt gesteund door de Vlaamse Gemeenschapscommissie

David De Buyser nodigt je uit voor F-BOX and other events!


David De Buyser _ newsletter november 2012

Comacina Scores

In october I started a residency at NADINE with the aim to continue the development of the F-BOX. The plan is to adapt it to play from graphic scores made in residency on the Comacine island. In december I will play a performance with it in collaboration with Guy De Bièvre. More info on that event will follow soon.
https://vimeo.com/50767308
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Copyright © 2012 David De Buyser, All rights reserved.
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Belgium

Gabriella Cleuren : Biennale de la peinture : musée dHondt Dhaenens et musée Raveel. Bericht ingezonden door Ziggy


logo-gaby spontaneous.jpg
Lors de ma visite aux musées susmentionnés, l'œuvre églomisée de Florin Mitroi, http://www.johnengalerie.de/en/exhibitions/current/action/show/controller/Exhibition/exhibition/90.html un Roumain, m'a immédiatement tapé dans l'œil, avec son style sobre, ses couleurs pauvres, ses formes tranchantes, un collage avec des haches et des armes blanches en or, trahison dorée. Une œuvre forte, très personnelle, dans son étude de l'être humain qui ne peut s'empêcher de se disputer avec les autres, de les tourmenter et de les détruire, ou qui ne supporte pas la lumière dans leurs yeux. La douleur se reflète sur le visage de la victime aux yeux en suspens et à la bouche qui tranche son visage telle un couteau. Cette petite œuvre grandiose touche immédiatement, est extrêmement originale, chargée d'émotions et m'interpelle sévèrement avec ses attributs simples.
L'œuvre pâteuse d'Appel avec sa vision expressionniste abstraite rappelle W. De Kooning. Dans « A cry in the night », une arme blanche surgit également tout en croquant l'obscurité menaçante de la nuit. Un art gestuel puissant, avec un coloris fantastique. Tribal Chief a des allures d'ancien germain.
Paula Rego. http://en.wikipedia.org/wiki/Paula_Rego
Dans la 2ème salle à gauche, on rencontre les femmes sûres d'elles et puissantes, fort, d'une élégance surprenante, pesant, sereines en leur for intérieur en noir, une influence de Degas avec des interprétations portugaises propres, un peu grotesque. Les personnages sont dessinés d'après un modèle, réalistes mais composés. Ils présentent un rayonnement classique au niveau du matériel. Le cuir et le satin reflètent ses propriétés spécifiques, comme chez les vieux maîtres. Les grands formats carrés font penser à Francis Bacon et les modèles pesants lorgnent sur Freud. Les influences de ses contemporains ne peuvent être niées.
© Gabriella Cleuren 2012
Visité 22 juillet 2012
http://www.museumdd.be/en/home/
http://www.rogerraveelmuseum.be/website-en/1-www.html

A suivre

 gc_i want to escape_ap_12g.jpg


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LKFF Sculptures PRESENCE | Caspar Berger | Mario Dilitz | Sean Henry | Jacob Epstein


LKFF Sculptures newsletter
Mijntje Lukoff is proud to present
PRESENCE - OPENING TOMORROW
You are personally invited for a
PRIVATE PREVIEW THURSDAY 8 NOVEMBER FROM 6:00 to 8:30 PM

The artists will be present.
EXHIBITION FROM 9 NOVEMBER UNTIL 22 DECEMBER, 2012
« PRESENCE » is a gathering of human figures, carved in wood, modeled in clay, painted, cast in bronze or in silver. LKFF Art & Sculpture Projects selected three striking contemporary sculptors, each recognized for their interpretation of the human being: Caspar BERGER (NL), Mario DILITZ (CH) and Sean HENRY (UK), alongside the pioneer in modern sculpture, Jacob EPSTEIN (UK).
Caspar Berger (Utrecht, 1965-)
       Caspar Berger studied Plastic and Spatial Forms at the AKI Academy for Visual Art in Enschede (1984-1990). Like many of his contemporaries, Berger concentrated on mixed media work: abstract constructions and video installations. He continued to explore this field at the Jan van Eyck Academie in Maastricht (1990-1992).
        Berger was first inspired by the work of video artists such as Bill Viola, Bruce Nauman and Nam Jun Paik, but later, his love of the Italian High Renaissance led him to choose the medium of sculpture. Berger thus associated himself with the 1980s revival of figurative art, mostly exploring the tension between the external and internal, between reality and image. For Berger, the body is merely a façade that conceals emotion. He deliberately leaves the surface of the statues unfinished, thus also triggers associations with decay. “I make a cast, a copy of myself, but during the process the statue acquires a will of its own and a transformation takes place.” Berger’s postmodern interpretation of existing motifs is also apparent in the series of self-portraits that has been his focus since 2001. In his self-portrait series, Berger not only explores the phenomenon of the autonomous self-portrait, with its technic al and physical obstacles, but also subjects his own person to self-examination. In doing so he literally turns himself inwards.
        Caspar Berger lives and works in Amsterdam. More info...
Mario Dilitz (Innsbrug, 1973-)
      Mario Dilitz graduated from the Technical School for Wood Carving in St Ulrich (Italy) in 1999. The artist developed an impressive ability to manipulate the language of sculpture in order to give expression to the human form. He combines traditional sculptural knowledge, incredible craftsmanship with issues that are new and appealing to contemporary viewers.

       His work, bi-polar, challenges us. There is a strong contrast between the aesthetic beauty of his sculptures and the disquieting feelings they generate. Their grave expressions come as a contradiction to the almost porcelain aspect of the wood. Each artwork confronts its perfection to timeless existential issues. Even Mario Dilitz’s choice of material reveals these contradictions. His sculptures, most of them life-sized, are created out of high quality laminated wood. After a process of destruction and then construction the wood reaches a new form of stability, which wouldn’t have been possible in its natural condition. The artist visually accentuates this process by using dark red glue in the laminated wood.The use of this color signs his creations unmistakably, dramatizes them, as if the red color revealed some aching truth. Confronted to such strong presence, Mario Dilitz’s sculptures leave their viewers defenseless.
      Dilitz now works and lives in Axams near Innsbruck and Munich. More info...
Sean Henry (Woking, UK, 1965-)
      Sean Henry graduated from Bristol Polytechnic in 1987. He had his first solo exhibition in London in 1988 and was the first sculptor to win the Villiers David Prize in 1998.
      Despite their ostensible realism, Henry is not primarily concerned with a direct transposition of what he sees. The theme of his sculpture is the tension between the making and staging of figures that seem to belong to the real world, and the degree to which they echo our experiences and sympathies. The sculptures are painted by the artist, each individually and directly on the bronze or ceramic surface. Henry has become adept at the manipulation of scale and almost always avoids life-sized representation. His sculptures are self-contained, often pensive, preoccupied by their inner imaginings. They exude what the ancient Greeks used to call sophrosyne, or self-control. This sense of being grounded is central to Henry’s figures and creates their strong physical presence, their sense of being and enduring. Among his past projects one must mention «Couple» - UK’s first permanent offshore sculpture - a large scale, 13 m high , 18 m wide bronze and steel sculpture installed off the North East coast of England.
       Sean Henry lives and works in the UK. He is married and has three children. More info...
Jacob Epstein (1880-1959)
      Jacob Epstein was an American-born British sculptor who helped pioneer modern sculpture. Born in the United States, he moved to Europe in 1902, becoming a British citizen in 1911. In London, Epstein involved himself with a bohemian and artistic crowd. Revolting against ornate, pretty art, he made bold, often harsh and massive forms of bronze or stone. His sculpture is distinguished by its vigorous rough-hewn realism. Avant-garde in concept and style, his controversial works often shocked his audience, challenging taboos on what was appropriate subject matter for public artworks. Epstein would often sculpt the images of friends, of his mistresses, his family, casual acquaintances, and even people dragged from the street into his studio almost at random.
     His portrait bronzes retain the immediacy of his touch on the clay, the mood of the sitters as well as the artist’s own feelings. Epstein can be considered as the best 20th century sculptor capturing the human soul in bronze. Among his subjects, Sunita (in this show) was his best know model, and will be on view in this show. Jacob Epstein died 21 August 1959 in London and is buried in Putney Vale Cemetery.










« PRESENCE » is a gathering of human figures, carved in wood, modeled in clay, painted, cast in bronze or in silver. LKFF Art & Sculpture Projects selected three striking contemporary sculptors, each recognized for their interpretation of the human being: Caspar BERGER (NL), Mario DILITZ (CH) and Sean HENRY (UK), alongside the pioneer in modern sculpture, Jacob EPSTEIN (UK).
The tradition of portraits goes back a long way. Many contemporary sculptors perpetuate this tradition, while only a few, as Epstein in his time, go beyond the mere representation of an individual. Far from falling in the «Tussaud-trap», SEAN HENRY portrays the anonymous, his very straightforward depiction of appearances invests his figures with an almost palpable psychological presence; meanwhile, Henry leaves the surfaces of his painted bronzes rough, his application of color confident and painterly. CASPAR BERGER questions the link between the image and the soul; his portraits based on molded humans question the link between the copy and the original, the dead material and the living body. MARIO DILITZ’s wooden figures polarize. There is a strong contrast between their aesthetic beauty and the content of the issues, whe re a profound confrontation with the vagaries of human existence takes places.
In today’s art world, realism re-surfaces and continues to provide its serious practitioners with constant philosophical challenges. Visitors will discover how artists still more than ever try to make sense of «what we’re doing and why we’re here». Remarkable is the ability of these four artists to give expression to the human form, to transmit and translate the language of sculpture in order to trigger emotion. Their most minute details transform a piece from a basic anonymous figure to a universal commentary on the human spirit.
On view until 22 December 2012
« PRESENCE » est une exposition de figures humaines, taillées dans le bois, modelées dans la terre, peintes, coulées en bronze ou en argent. LKFF Art & Sculpture Projects a sélectionné trois sculpteurs surprenants, chacun reconnu pour son interprétation de l’être humain: CasparBERGER (NL), Mario DILITZ (CH) et Sean HENRY (UK) aux côtés d’un pionnier de la sculpture moderne, Sir JACOB EPSTEIN (UK).
La tradition du portrait remonte à la nuit des temps. Aujourd’hui, de nombreux sculpteurs perpétuent cette tradition, mais peu d’entre eux parviennent, comme Epstein à son époque, à dépasser la simple représentation de l’individu. Loin de sombrer dans un piège «Tussaud», Sean Henry portraitise l’anonyme. Sa retranscription très franche des attitudes investit ses figures d’une présence psychologique presque palpable. Il laisse ses surfaces brutes et applique ses couleurs sur les bronzes à la manière d’un peintre sur une toile. Caspar Berger interroge le rapport entre notre image extérieure et notre âme. Ses (auto-)portraits, réalisés à partir de moulages sur vif, questionnent le lien entre la copie et l’original, entre la matière inerte et le corps vivant. Les figures de Mario Dilitz sont bi-polaires et présentent un puissant contraste entre leur superbe esthétique et les questions existentielles qu’elles soulèvent. Elles confrontent leur beauté aux errances de l’existence humaine.

Le réalisme en sculpture revient à l’avant de la scène dans l’univers de l’Art Contemporain et offre à ses adeptes des défis philosophiques passionnants. Les visiteurs découvriront comment les artistes, aujourd’hui plus que jamais, tentent de dégager du sens de leur existence et de comprendre « ce que nous faisons ici » et « pourquoi nous sommes là? ». Cette exposition témoigne de l’habilité avec laquelle ces 4 artistes donnent vie à la forme humaine. Ils parviennent à traduire et transmettre des émotions fortes au travers du langage de la sculpture. Le moindre détail transforme une simple figure anonyme en un commentaire universel sur l’Etre humain.
More info...
Address: Rue Blanche nr 15, B-1050 Brussels, Belgium (view on a map)
The gallery is open from Wednesday to Saturday, 12:00 noon to 6.00 p.m. or by appointment.
For more information, contact us at info@lkff.be
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