Newsletter: News Roundup, Pi
Li & Waling Boers Interview, Long Museum Shanghai
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The Duchamp and/or/in China show opens at the
UCCA.
尤伦斯艺术中心的杜尚与/或/在中国的开幕图片。
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Pi Li and Waling Boers represent one of the most successful curatorial and
gallerist partnerships China has yet seen, establishing the non-profit Universal
Studios in 2005, which subsequently metamorphosed into Boers Li
Gallery....
皮力和桦林•布尔思代表了中国有史以来最成功的展览策划和画廊的合作搭档，2005年成立了非盈利性的U空间（Universal
Studios），随后发展成了博而励画廊...
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China’s aptitude for mass production extends beyond the realm of products
to things like architecture, infrastructure and even museums. But like a
Jingdezhen factory manufacturing fake Qing-dynasty vases, there is a propensity
for churning out large quantities of empty vessels...
中国批量生产的能力和倾向完全超越了单纯的建筑与基础设施建设，甚至延伸到了美术馆。但正如景德镇批量生产仿清花瓶一样，这些批量生产的美术馆空间也极有可能沦为无数颠簸摇晃的空船。这类空间通常都特别大——但留不下什么印象——大建筑里全是懒骨头的骷髅员工...
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In the 1950s, a comedy series called “The House of 72 Tenants” depicted the
lives of the working class in Shanghai prior to Liberation in 1949; it became
emblematic of life in Shanghai...
上世纪五十年代，一部以解放前上海底层市民的生活为素材上海滑稽剧《72家房客》，成为轰动一时的经典剧目，“房间小的象白鸽笼，房客都象进牢笼”的比喻...
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Guan Xiao’s latest work touches on interesting topics — time, archeology
and what our material culture says about our spiritual culture ...
关小最近的作品涉及了有趣的话题——时间、考古学以及我们的物质文化如何体现我们的精神文化。但它却没有挖掘出任何实质性的发现。关小近期在魔金石空间的展览实在因其怪异而显眼...
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The current exhibition at Pekin Fine Arts asks “Why Paint?”, and proceeds
to show us several different approaches to the question...
北京艺门画廊当前的展览通过提出“为什么绘画？”的问题，呈现了形式各异的解答。就像对于一切问题一样，无需刨根问底，我们也会发现，“为什么创作艺术”和“创作什么艺术”..
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Amy Li Gallery — the new, eponymous incarnation of Dialogue Space — opened
this week in foreseeable style. It has upped sticks from the Pingod development
in Beijing’s CBD...
正如预料的那样，艾米李画廊——原对画空间——重新开业了，从北京CBD的苹果社区（今日美术馆后面）搬到了草场地一座青砖建筑中。也正如所料的那样，这个展览满足了各种趣味的同时...
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Can you read the title?
Can you say it? It is perfect for Twitter and SMS-text, if your public
knows what it means. And it is the title of Carsten Nicolai’s new theatrical
installation. It starts as a homage to Nam Jun Paik and his Magnet TV,
1965 (re-performed in Paris at Fondation Cartier in 2001)...
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Berlin Gallery
Weekend is a three-day festival of gallery hopping. It is an art fair without
the stuffy trade-fair halls and an art treasure hunt for anyone who loves
exploring Berlin. Recommendation: buy, hire or steal a bike (all three options
are possible in Berlin, even encouraged)...
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| Long March Space (Beijing)
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| UCCA (Beijing)
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| Rockbund Art Museum (Shanghai)
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| Vanguard Gallery (Shanghai)
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| Lehmann Maupin (HK)
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| Hong Kong Eye (HK)
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| UCCA (Beijing)
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| UCCA (Beijing)
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| Leo Xu Projects (Shanghai)
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| FQ Projects (Shanghai)
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| Mobile M+ (HK)
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| Gagosian Gallery (HK)
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